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Art

Chargers honored with Scholastic Art & Writing Awards

February 5, 2026

Banner art: “Reconvergence,” Andrea Ye, ‘28

CA artists had a strong showing in this year’s Scholastic Art and Writing Awards, earning recognition across multiple categories and media. Their work stood out among submissions, reflecting both creative ambition and technical skill. 

ART

Gold Key Award Recipients: 

Celia Chen, ‘29 (Experimental Photography), Tess Perkinson, ‘27 (Photography), Andrea Ye, ’28 (Mixed Media), Sophie Liu, ’29 (Photography), Sophie Mei, ’30 (Sculpture)

Silver Key Award Recipients: 

Noelle Moorhead, ‘27 (Photography), Gaille Saelim, ‘28 (Drawing)Andrea Ye, ‘28 (Painting), Sophie Mei, ’30 (Painting)

Honorable Mention Recipients: 

Yuna Kim, ‘30 (Painting), Noelle Moorhead, ‘27 (Photography)Maya Rysin, ‘27 (Painting), Gaille Saelim, ‘28 (Painting), Celia Chen, ‘29 (Drawing & Painting), Andrea Ye, ‘24 (Painting, four Honorable Mentions in the category!)

WRITING

Anna Benjamin, ’27, Personal Essay and Memoir: Gold Key; Critical Essay: 4 Honorable Mentions

Yul Choi, ’26, Poetry: 2 Silver Keys

Celia Chen, ’29, Flash Fiction: Gold Key and Silver Key; Journalism: Honorable Mention; Poetry: Silver Key and Honorable Mention

Max Chen, ’26, Short Story: Honorable Mention

William Chen, ’26, Personal Essay and Memoir: Gold Key; Poetry: Silver Key and 2 Honorable Mentions

Jaden Hong, ’28, Speculative Fiction: Gold Key; Flash Fiction: Silver Key

Annika Liu, ’26, Flash Fiction: Gold Key

Levin Ma, ’27, Critical Essay: Honorable Mention

Aviva Wang, ’26, Journalism: Gold

Audrey Zhang, ’29, Personal Essay and Memoir: Gold Key; Personal Essay and Memoir: Honorable Mention

Sunny Zhao, ’27, Critical Essay: Honorable Mention; Personal Essay and Memoir: Silver Key, Poetry: Gold Key

Kenna Zhang, ’26, Poetry: Gold Key, 3 Silver Keys, Honorable Mention; Short Story: Gold Key, Honorable Mention

Claire Zhong, ’27, Flash Fiction: Gold Key; Personal Essay and Memoir: Silver Key; Poetry: Silver Key, Speculative Fiction: Silver Key, Honorable Mention


Separately, 2 Chargers won Young Arts Awards for their writing.

William Chen, ’26, Writing/Nonfiction Winner

Yul Choi, ’26, Writing/Spoken Word Winner

Congratulations to all of these talented Chargers!

Written by Mandy Dailey, Director of Communications

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Company Announced for CA’s Production of Les Misérables

December 18, 2025

Join us in celebrating the 90+ middle and upper school artists comprising the company of LES MISÉRABLES SCHOOL EDITION and start making plans now to attend one of the three performances scheduled for Friday, February 20 at 7 pm, Saturday, February 21 at 3 pm, and Saturday, February 21 at 7:30 pm. LES MISÉRABLES SCHOOL EDITION is presented through special arrangement with Music Theater International (MTI). All authorized performance materials are also supplied by MTI.

THE COMPANY

Performers
Peyson Blake, ‘30, Liliana Boles, ‘32, Audrey Bui, ‘29, Emily Capps, ’29, Yul Choi, ‘26, 
Madison Clarke, ‘32, Kendall Clodfelter, ’27, Lucia Corral, ’28, Chelsea Crane, ‘31, 
Emma Curtis-Maury, ‘28, Garrett Dannar, ‘30, Castine Davis, ‘32, Sophie Dollinger, ‘28, 
Aidan Dunsmoor, ‘26, Noor Elbeck, ‘32, Sadie Erdheim, ’32, Jackie He, ‘28, 
Victor He, ’27, Cecily Heaton, ‘31, Lucy Heinz, ‘29, George Holton, ’29, Zach Jones, ’27, 
Vivaan Kesharaju, ’29, Gavin Koo, ‘26, Aaron Landman, ‘27, Augustus Lavalette, ‘26,
Mirella Leerberg, ‘26, Quincy Leerberg, ‘28, Hannah Lin, ‘31, Henry Lim, ‘26, Holden Lim, ‘27,
Jamie Materno, ‘28, Aarna Misra, ‘31, Noelle Moorhead, ‘27, Kellan Mowrey, ‘32, Vidya Munshi, ‘31, Sowmya Nguyen, ‘32, Margot Perkinson, ‘28, Margot Porper, ‘30, Chiara Pourbaix, ‘31,  
Susan Schouten, ‘31, Liam Smith, ‘31, Adrian Soldevila, ‘27, Roman Steele-Combs, ’29, 
Gemma Weinberger, ‘27.

Instrumentalists
Will Allen, ‘29, Jackson Gupta, ‘28, Vanessa Hu, ‘27, Kevin Jiang, ‘29, Allen Li, ‘26, Wells Lin, ‘26, 
Brianna Xin, ‘26, Liliana Yi, ‘26, Andrew Zhong, ‘28, Kenna Zhang, ‘26, Steve Zhong, ‘26.

Stage Management Team
Sofi Bohorquez, ‘26, Callie Cook, ‘28, Bailey Greczyn, ‘26, Maya Muhammad, ‘30.

Production Crew
Teagan Bolt ‘28, Evelyn Brewster-Mulholland, ‘32, Ruby Grace, ‘32, Alexandra Grossi, ‘30, 
Lola Grau, ‘29, Grey Heaton, ‘29, Emilia Hewitt, ‘27, Gwendolyn Jones, ‘27, Charlotte Lavin, ‘28, 
Ness Morales, ‘29, Abby Neblett, ‘30, Serena Patel, ‘26, Mia Rochman, ‘28, Aarna Shah, ‘32, 
Zack Staffhorst, ‘26, Eleanor Smith, ‘28, Xuanjin Zhu, ‘27.

Art Crew
Will Allen, ‘29, Taylor Austin, ‘31, Amber Bailey, ‘32, Evelyn Brewster-Mulholland, ‘32, Ian Bui, ‘29, 
Bella Corral, ‘26, Grey Heaton, ‘29, Reena Kachhy, ‘30, Emily Jane Marchand, ‘30, 
Sienna Pollock, ‘26, Ellie Prugh, ‘32, Zoriana Rysin, ‘31, Gaille Saelim, ‘28, Benton Turner, ‘32, 
Kate Wiebe, ‘26, Avery Williams, ‘27.

Written by Mandy Dailey, Director of Communications

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Poetry and Hip-Hop at CA

April 25, 2025

Last week, our Middle School took center stage for the annual Poetry and Hip-Hop Showcase—an unforgettable celebration of voice, creativity, and community. The Showcase marked the culmination of a month-long study of spoken word, poetry, and rap in partnership with Artist-In-Residence El’Ja Bowens, an award-winning spoken word poet, an award-winning spoken word poet, host, speaker, workshop facilitator, author and military veteran. 

Seventh-grade poets led the charge with original works that moved and inspired, joined by alumni performers from eighth grade and a few bold sixth graders ready to make their debut. From heartfelt verses to powerful performances, the showcase was a testament to the talent and courage of our students. Thank you to everyone who shared their words, cheered from the crowd, and helped bring the event to life. 

We’re already looking forward to next year. 

Learn more about this beloved tradition. 

Written by Mandy Dailey, Director of Communications

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CA Wind Symphony Wows at National Concert

April 11, 2025


Last week, CA’s Wind Symphony took center stage at the HBCU National Band and Orchestra Consortium in Atlanta, GA — after being selected through a highly competitive application process! Performing for an audience of hundreds, including legends of the HBCU band world, our musicians delivered an unforgettable performance.

Written by Mandy Dailey, Director of Communications

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HADESTOWN: TEEN EDITION Announced as Extracurricular Theater Production

December 9, 2024

The Arts department is excited to announce HADESTOWN: TEEN EDITION by Anaïs Mitchell as this year’s extracurricular theater production. Only available for school and youth groups with performers 19 years old and younger, this full-length adaptation of Anaïs Mitchell’s HADESTOWN has been modified for performance by teen actors for family audiences. 

An intriguing and beautiful folk opera, HADESTOWN delivers a deeply resonant and defiantly hopeful theatrical experience. Following two intertwining love stories – that of young dreamers Orpheus and Eurydice, and that of immortal King Hades and lady Persephone – HADESTOWN invites audiences on a hell-raising journey to the underworld and back. Inspired by traditions of classic American folk music and vintage New Orleans jazz, Mitchell’s beguiling sung-through musical pits industry against nature, doubt against faith, and fear against love. [www.concordtheatericals.com]

CA’s production of HADESTOWN:TEEN EDITION opens on Valentine’s Day, February 14, 2025, and runs for three performances:

Friday, February 14 at 7 pm

Saturday, February 15 at 3 pm

Sunday, February 15 at 7:30 pm

The box office will open for public ticket sales during the week of January 27, 2025. HADESTOWN: TEEN EDITION is presented by arrangement with Concord Theatricals Corp. www.concordtheatricals.

Congratulations to the cast of HADESTOWN: TEEN EDITION!

HERMES / Kainda Nzinga [12]

THE FATES / Sanvi Kotla [9], Corinne Laurey [12], Margot Porper [7]

PERSEPHONE / Aida Lo [12]

HADES / Yul Choi [11]

ORPHEUS / Henry Lim [11]

EURYDICE / Brooke Murgitroyd [12]

THE WORKERS / Daniyah Adnan [7], Gabby Almony [8], Peyson Blake [7], Emma Curtis-Maury [9], Kaylin Dinker [8], Cecily Heaton [6], Lucy Heinz [8], Angie Horne [9], Vivaan Kesharaju [8], Aaron Landman [10], Augustus Lavalette [11], Mirella Leerberg [11], Quincy Leerberg [9], Jamie Materno [9], Aarna Misra [6], Margot Perkinson [9], Susan Schouten [6], Eleanor Smith [9], Liam Smith [6], Gemma Weinberger [10]

STAGE MANAGEMENT TEAM / Sofia Bohorquez [11], Leena Mehta [8], Nes Morales [8], Lola Grau [8], Garrett Danner [7], Callie Cook [9]

Written by Mandy Dailey, Director of Communications

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CA celebrates the Year of the Dragon

February 15, 2024

Did you happen to notice the beautiful red lanterns adorning campus at drop-off this morning? Today, our Asian American and Pacific Islander Affinity Group—with a big assist from an incredible group of parent volunteers—helped our campus properly celebrate Lunar New Year. At lunch, our community was treated to a delicious spread of Chinese cuisine and hands-on exploration into the art of Chinese paper cutting and calligraphy. Finally, we officially rang in the Year of the Dragon with, what else, a traditional Dragon Dance. Many thanks to everyone who decorated, served, taught, organized, and danced during today’s phenomenal festivities. Happy Lunar New Year, Chargers!

Written by Jack Swingle, Digital Media Specialist

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A Taste of the Arts

October 5, 2023

You’ve seen the emails. Maybe you’ve purchased tickets for a show. Perhaps you’ve visited the silent auction and checked out the raffle item. But what is A Taste of the Arts?

Our fall community-building events have one primary goal: to foster a sense of connection amongst our families, students, employees, and community partners. That might be created through a reception, or a community game night, or perhaps, as it is this year, through an arts showcase (or should I say extravaganza?).

When we first began brainstorming a dinner theater, our eyes immediately became bigger than our stomachs (pun intended!). We quickly realized we couldn’t stop with a stage performance. There were too many other artistic talents in our midst! What about our pianists? Our string students, dancers, visual artists, and our behind-the-scenes arts technicians?

More than a mere taste, we quickly found ourselves looking at a Thanksgiving Feast of the Arts—an endeavor both exhilarating and daunting.

However, thanks to the remarkable creative vision of Glen Matthews and his team, we found ways to bring this vision to life. Weaving together the incredible talents of our students, the generosity of our parents and our alumni, and the extraordinary effort of employees, the Taste of the Arts is a 4-night showstopping showcase. More than that, however, it is a testament to our amazing community—to our many talents, the strength of our connection to each other, and to CA’s mission.

Imagine it. Walking up, you are greeted with a giant Charger puppet. Yes, you read that correctly: a puppet. Too tall to bring inside, it dances across the Quad welcoming you, up the red carpet, to a magical evening.

When you enter Berger Hall, your eyes need time to adjust. Do you direct your attention to the walls adorned with original pieces of work created by our students? Or to the baskets up for auction, created with time and love by groups of parents from each grade? Perhaps, instead, you check in, chatting with friends, as music floats around you (possibly even played by a group of talented young people).

While you wait for your party to arrive, you peruse the auction table and look over the details of our featured raffle. A $20,000 trip to France? Your mind whirls at the possibilities. Yes, please!

As you picture yourself in Paris, maybe you wander towards the balcony. What’s that? Scarf dancers? Yes! It is. Performing before dinner on Friday and Saturday, these performers stretch your imagination as they glide through the space below.

Bringing you back to reality, a student donned in a Taste of the Arts t-shirt—perhaps one of our many performers or theater technicians (be sure to ask!)—shares news that the doors have opened. It is time for dinner.

You make your way down the steps of the theater to your seat. But wait! You aren’t sitting in the audience, are you? No. You go up to the stage where tables are set up all around…another stage? Yes. Another one! Built on top of this one.

Settling into your seat, you take in the view, noticing the flowers (ahem…handmade by our students). You greet your tablemates. Perhaps you’re next to a parent who helped with costumes. You might have

an alum, who has returned to campus after missing out on art performances during the pandemic. Or maybe you brought a full table of guests to support someone, on stage or behind the scenes.

Returning from the buffet, you notice your placemat, featuring the names and logos of so many businesses who have helped make this performance possible. (Don’t worry—it’s okay if you spill on your friends’ business logo! We have new placemats for each night.)

After dinner and dessert, as our talented pianists play, you find yourself relaxing. The lights dim and figures appear on the stage. As the lights come up, you pause. The faces you see – why, it’s the same faces of those who helped you to your seat and bussed your table! How did they get up there so fast? As soon as they start to sing, you are immediately lost in the show.

At the end of the night, you’ll go home full—not just from the delicious food, but from the creativity and talents of this community. You’ll overflow with appreciation, not only for the magic of the final event, but for the months of creativity, collaboration, and innovation that took to bring it to fruition—for a truly mission-driven, beautiful taste of all the arts here at Cary Academy.

So, I must express my deep appreciation to everyone in this community who gave of themselves and pulled together to make this magical event happen.

(Bummed you missed out on an incredible evening? You still have a chance! Limited first-come, first-served tickets are still available for our Friday performance.)

Written by Ali Page, Director of Development

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There’s a Crackle in the Air

October 13, 2022

What does one do in the lobby?

Sixteen 6th graders and I found ourselves pondering this question recently. We were about to embark upon a tour of “The Playground”—the theater facility within Berger Hall—as part of a five-class rotation of the Arts Minors program. Seated on the lobby floor, my new friends rattled off responses:

Wait. Gather with friends. Study. Purchase a ticket. Read the program. Collaborate. Rehearse. Have refreshments. Enjoy intermission. View art. Celebrate.

They were right. On any given day, the lobby of Berger Hall serves these and many other functions.

I shared with the students one of my favorite things about this special space: the windows. Now, this may have something to do with the fact that I spend a large portion of my day at CA in an intentionally windowless world. Storytelling in the theater is dependent upon our ability to control light and, ultimately, what an audience sees and doesn’t see. But that’s not the real reason. I love looking through the glass of the lobby and seeing the upper school on one side and the Middle School on the other. I’m reminded that Berger Hall is a bridge between the two schools, and the Arts at CA provide each of us with the opportunity to connect.

As a faculty member entering his 25th year of teaching at CA and as the new chair of the Arts department, I can attest to the effectiveness of this beautiful bridge and its impact on students. One need only peek into the studios, practice rooms, and brave spaces around campus to witness its power—devoted faculty and curious young people engaging, questioning, risking all, shedding inhibitions, and revealing their authentic selves.

The energy is palpable, and this year, you can feel it crackle even more than usual. Why?

New Faculty

  • We’ve welcomed four passionate artist-educators into our vibrant Arts family: Alexa Velez (MS Dance), Dee Elmore (MS Digital Arts), Kirsten Thompson (Tech Assistant), and Ty Van de Zande (MS Digital Arts).

New Program Offerings

  • After a brief pause, dance has returned to the Middle School, and we’re excited to see the discipline eventually grow to include upper school opportunities.
  • Additionally, we’ve introduced Digital Arts as an Arts Major option for 7th and 8th grades, while also creating a 7th grade section of Video Production.
  • In the Upper School, imaginative electives and independent studies continue to grow out of student interest and conversations with faculty. In fact, the Design Lab on the lower level of Berger Hall—currently home for the Teamship portion of our 9th grade Art & Design experience—is being reconfigured to house new technology for the 3D Game Design class!

Live Performances Return

  • While we were able to offer limited live performance opportunities for our students and the community last spring, we’re thrilled to return to a full concert/performance season this year. It all kicks off with Something Wicked, an immersive and interactive haunted theater experience featuring students in grades 6 through 12.
  • Performances will be offered Thursday, 10/27 through Saturday, 10/29 just in time for Halloween. Look for ticket information in next week’s CA Weekly!

Gradeless Framework Pilot

Under the thoughtful guidance of CA’s Dean of Faculty Martina Greene, the Arts department has made a
commitment to pilot a new gradeless framework for all Arts classes, emphasizing the importance of the following departmental beliefs:

  • Art making is essential to student learning and growth.
  • Our studios and classrooms are brave spaces where students discover techniques and skills to create original, exciting, and impactful works.
  • It’s in these spaces that the process of creating encourages play, curiosity, experimentation and risk-taking.

Moving forward, students will receive either a Pass or Fail at the end of marking periods. In addition to the P/F, teachers will provide students with feedback specific to their skill development and progress toward curricular goals.

Assignments will continue to be recorded in Blackbaud, and teacher feedback will address two areas: submission status and student progress.

  • Submission Status. Students submitting work on time receive a “1.” When work is not turned in, the student receives a “0.” Students will be encouraged to work with their teachers to resolve any missing assignments. As a department guideline, students will need to resolve all “0’s” by the end of the marking period to receive a Pass.
  • Student Progress. A rubric will be attached to the assignment. Students and parents will be able to access the rubric in the gradebook for individual feedback on assignment objectives, skills, etc.

As you access the gradebook in Blackbaud throughout the year, please remember that any numerical points and percentages seen (e.g., 1/1 100% or 0/1 0%) indicate submission status only. Notations of M or L for missing or late work may also appear. Teachers will communicate discipline-specific information as necessary, and students and parents are encouraged to reach out with questions or concerns.

No wonder there’s a crackle in the air! I hope you feel it the next time you enter Berger Hall, and I invite you to find your own way to contribute to its intensification. When you do visit, look for me in the lobby. I’ll be there looking for an opportunity to connect and dreaming of the next big adventure.

Written by Glen Matthews, Theater Teacher and Art Department Chair

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Meet the Company of ‘The Theory of Relativity’

February 25, 2021

The cast and crew of this year’s Upper School extracurricular theater production have been in rehearsals for just over a month and are looking forward to sharing a new musical theater piece with the CA community.

The Theory of Relativity by Drama Desk Award nominees Neil Bartram and Brian Hill is a song cycle inspired by the life experiences of college students and created with young performers in mind.  Through songs and monologues, the characters experience “the joys and heartbreaks, the liaisons and losses, the inevitability and wonder of human connection.” [mitshows.com]

While there will be no live performances, the company will be recording the production over a series of Flex Days in April. Tickets to view the completed production online will go on sale at the end of April.

The sixteen-member cast includes Alex Lim ‘22, Arielle Curtis ‘21, Brandon Yi ‘21, Chioma Modilim ‘22, Claire Ferris ‘21, Clay Thornton ‘21, Eden Rosenbaum ‘21, Hannah Gordon ‘21, Jordan Miller ‘22, Kathryn Chao ‘21, Koen Chao ‘23, Kyle Murphy ‘21, Mickey Lewis ‘23, Samantha Hoffman ‘21, Sara Martin ‘21, and Vibhav Nandagiri ‘21.

Christina Polge ‘22, Frances Smyth ‘24, and Riley Moore ‘23 are Stage Managers. The Tech/Production crew includes Abby Smetana ‘23, Bella Huang ’24, Claire Moorhead ‘24, Hanorah Alapati ’24, Jay Sihm ‘23, Kendyl George ‘22, Laila Taylor ‘24, Nathan Rudy ‘23, Nikhil Jagannath ‘23, Renn Guard ‘22, Samantha Dorfman ‘23, and Vikram Kommareddi ‘23.

The orchestra features Gwynn Nowell ‘21, Joshua Kendall ‘23, Marvin Koonce ‘21, Oliver Wang ‘22, Phoebe Ellison ‘21, William Coley ‘22, and Xavier deSouza ’21.

Written by Dan Smith, Digital Content Producer and Social Media Manager

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